Τετάρτη 9 Οκτωβρίου 2013

Arachnebula Metaludentia.



Arachnebula Metaludentia.
onesecbeforethedub

All 127 technical images that inspired these inscriptions are available at http://www.flickr.com/photos/onesec/sets/72157636375901273/
Important city names that configured the text's structure (texture) are: Edirne, Kirklareli, ,Zonguldak, Bartin, Akcakoca, Sinop, Batumi, Tbilisi, Yerevan, Athens, Berlin, Leipzig and Hildesheim.

Three doors. Catharsis. Other sides. Mountains of posterity. Cycling zero. Alternity and repetition. Man of the moment. Men of the moments. The call. Enter, Karadeniz. Deniz. New definitions for home. Waves of stillness. The West dissolving in the East. The rest dissolving in my fist. A new phenomenology of new phenomenology. Portraiture. Sorry, sir. Time for time. Stop the time. Together until the invention of chronophotography. Diving. Secrets well kept only in no-star hotels.  Saw the end coming. If you like simultaneity throw your hands up. Rise of the post-industrial hippie. Wedding ceremony in four parts. Waste dance. Sequence. Peynirli. Homesea. Homesick. Homeland. Seasick. Third dimension excluded. So lucky to be here. Impressions of noise and expressions of silence. Postscript slave trafficking generator. Signs of a passing crisis. New definitions for red run. Stealing others' empty memories. Never cared or scared of what the other kids had. Nobody knows my name, but... Labor will tear us apart. Again. Innocence in no sense. Where is the bus? What is the bus? Spider sense. Selling babies, giving life to vegetables. Life's purpose. Created needs. Few seconds before their first accidental meeting after 25 years in the same building. Found my identity as soon as i started being afraid of myself being repeated. Maternity of the other and maternity of the self. Shopping helps black dissolve into all colors. Youth exorcized on a shopping bag. A mechanical farewell to antiquity. Goodbye time, hello epoche. Once happy when shocked, now shocked when happy. Objects and subjects. No boundaries. Pure love. Consumption is the medium. The man-building. Choices made by superstition. The stranger recognized by all strangers. Towards a labyrinth of innocence. Bipolar conjoined twins agree in their bipolarity. Did you ever think of an aesthetically pleasing way to cross the street? Species subjected to the mood of biologists. The story will be narrated only when the characters involved will be considered as grown-ups. Mountains of posterity. Two friends agreed on being enemies to everyone else. One of them knows how to poison. The other knows how to distinguish poison from any source. Their random alliance is a necessity of life and death. Hidden jack of diamonds. Hidden queen of hearts. Let us meet between the lines. Never realized that my dreams were realized. Muted mutants. Reflections of potential pathways. Sinking in one's own will. High pitch. High kitsch. Against every critique of ludic behavior. Significance of being forgotten. The obscurity of taking residence. Fates. Strict distinction of function and structure. Tacit magnitude. Misconceiving misconceptions. Uncovered while covered. Scaling new levels of everyday saturation. Scaling new levels of gossip. Still dance of picture posing. The ontology from smartphone to smartfoot. Conventional, still pure, expressions of love in the electric age. Disarmed in Armenia. Hugging the air. Guess means. Everyone tends to develop different reasons to look down. Mountains of posterity. The moment when impatience becomes patience. Diachronic projections of the ideal self. Leftovers of unfulfilled prophecies. Unsatisfied saturation. Sensor-motor-monitor. Upcoming criteria investigation. Negentropy. Periodical philosopher. Constant observer. Dumpster as mediation. Bench from a planet with slightly less gravitational power. Simply there. Yawning reality. Natural prison. Expiration of inspiration. Apparently, no parents. A square out of scratch. A war between bits of orbits and habits. And i love her. Then it is the i. The negation of the eye. And i left. And i cry. And to hide it behind my camera, i try. But no. Wanna cry, wanna discover. Visual strings. Being against “being against” is still being against. Nevertheless, it is not against being. Irrelevant questions to very relevant people, all relatives in relativity. Disfigured during the sleep, only to be reconfigured when dying. Spatial déjà vu. Still looking down to find excuses to look down. The hardy-gurdy. Looking at silence, seeing noise. Through the moving glass. Hildesheim, “human, all too human.” Departure teardrop on the wall. Arachnebula Metaludentia.